HOT EVENTS MGT MAGAZINE VISITING ARCHIVE MGT PARTNERS MGT TEAM
My Gay Toronto - MGT Stage

The Mousetrap: Dame Agatha Christie's nostalgic chestnut gets a dash of camp


by Drew Rowsome -
Photos by Seanna Kennedy


Ah, that old chestnut. The reconstruction of the crime!

Yes but some chestnut's age very well and Agatha Christie's The Mousetrap, which is still running in London England after opening in 1952, is still a lot of fun. Of course the appeal isn't all in the whodunnit, The Mousetrap is almost the blueprint for all the murder mystery conventions so is now burnished with a glowing patina of camp.

It is almost as if Dame Christie wrote a pre-cognitive piece warning of the dangers of Airbnb. Giles and Mollie Ralston (Andrea Creighton and William Alexander Doyle) have turned their home, the stately Monkswell Manor, into a guest house. Who could have predicted that their grand opening would involve murder? 

I adore nursery rhymes. They're so tragic and macabre. That's why children adore them.

A tinny overture plays moody orchestral variations on the nursery rhyme song "Three Blind Mice" then the lights go out hiding the sumptuous set from view. There are footsteps, someone whistling "Three Blind Mice," gunshots, screams and a deep-voiced narrator, in old-time radio style, tells of the murder of a woman named Maureen Lyon. The lights come up and the game is afoot. 

Seven people, all with secrets, are trapped in the snowbound Monkswell Manor. And at least two of them are slated to suffer the same fate as Maureen Lyon. The characters are all clichés (though of course they weren't when written or first performed) and the cast deserves credit for producing characters instead of caricatures - though, it must be noted, they do have a great time with side eye, double takes, melodramatic flourishes and the farcical fun of exiting and entering through slamming doors. 

I'm the unexpected guest who arrived from nowhere. Out of the storm. Who am I? You don't know. I am the man of mystery.

In particular David John Phillips, as the mysterious stranger Paravicini, revels in his character's glee at being, potentially, the malevolent interloper. The character, being "foreign," has a self-awareness built in that allows Phillips to push right past comedy to the edge of parody. Helly Chester has the Maggie Smith bitchy British dowager role and she milks it to the hilt while also being the vehicle for contemporary commentary that Dame Christie may, or may not, have intended. And while Hugh Ritchie, as dashing as he was as a handsome prince in Into the Woods, as the investigating policeman starts out blustery, when the character unravels in the face of so much deadly deceit and duplicity, we understand.

Ritchie is so dashing that he helps director Seanna Kennedy tease subtext out of the meaty chestnut to bring the audience into 2016. Dan Rowan's Wren has one flower-socked foot out of the closet and milks every innuendo out of his lines. It is a tricky line to flounce along and fortunately Rowan is charismatic enough to make an annoying character, a very suspicious character, charming. I'm not sure if Dame Christie meant for Miss Casewell to be explicitly a lesbian (though the text certainly telegraphs it) but Lauren Sanders flicks her Zippo with panache, has the best sight gag and sets up a Murder She Wrote joke that almost stopped the show in its tracks.

I find policemen very attractive. They're so stern and hard . . . boiled.

The stoic Damien Gulde, all darting glances and feigned innocence, is, like the audience, witness to red herrings, MacGuffins, dubious alibis and improbable coincidences: just like most murder mysteries. I had seen The Mousetrap twice, several memory-erasing decades ago, and I still was fooled by the misdirection. It all wraps up satisfyingly with a final twist stolen from O Henry that made me wish I'd paid more attention right from the start. But it would be hard to summon the intense attention that would require when one is busy luxuriating in a nostalgic classic with a soupçon of camp. I don't know how Hercule Poiroit, Miss Marple or Jessica Fletcher do it.

The Mousetrap runs until Sun, June 12 at the Lower Ossington Theatre, 100A Ossington Ave. lowerossingtontheatre.com


13

 

RELATED ARTICLES / ARCHIVE:
- Review: The Curious Incident of the Dog in the Night-Time: metaphor made into theatrical magic - Oct - '17
- Review: Flashing Lights: fable and art - Oct - '17
- Review: Undercover - Sep - '17
- Review: North by Northwest: a giddy delirious thriller - Sep - '17
- Review: Turtleneck: sex, violence, porn and red hot hilarity - Sep - '17
- Review: Hedwig and the Angry Inch: escaping the dungeon of gender, Hart House and rock n roll - Sep - '17
- Review: The Seat Next to the King: gay interracial sex is more powerful than fear - Sep - '17
- Review: Volta: the magic of the circus thrives - Sep - '17
- Review: Pippi - Aug - '17
- Review: Permanence - Jul - '17
- Review: King Lear - Jul - '17
- Review: Cavalia - Jul - '17
- Review: Beautiful - Jul - '17
- Review: 8 Morro & Jasp In Stupefaction - Jun - '17
- Review: The Lavender Railroad - Jun - '17
- Review: Showstopper - Jun - '17
- Review: Youth/Elder Project- Jun - '17
- Review: Situational Anarchy- May - '17
- Review: It's All Tru!- May - '17
- Review: The Return (il ritorno): Circa ...- May - '17
- Review: Midsummer (a play with songs)...- May - '17
- Review: Prince Hamlet - Apr '17
- Review: 887: memory becomes extraordinary - Apr '17
- Review: Little Pretty and The Exceptionals - Apr '17
- Review: Jack Charles v The Crown - Apr '17
- Review: A Kiss with a vicious bite - Mar '17
- Review: Souzatzka - Mar '17
- Review: Mrs Henderson Presents - Mar '17
- Review: Blood Weddings - Mar '17
- Review: Book Of Mormon - Mar '17
- Review: Cirkopolis - Mar '17
- Review: The Bodyguard - Feb '17
- Review: Five Faces for Evelyn Frost - Feb '17
- Review: My Night with Reg - Feb '17
- Review: Blue Remembered Hills - Feb '17
- The 38th Rhubarb Festival - Feb '17
- Review: James and the Giant Peach - Feb '17
- Review: Carrie - Jan '17
- Review: Audience - Jan '17
- Review: Sisters Act - Dec '16
- Review: Who Killed Spalding Gray? - Dec '16
- Review: Swan - Nov '16
- Review: Cuisine & Confessions - Nov '16
- Review: The (Post) Mistress - Oct '16
- Review: The Circle: the kids are not alright - Oct '16
- Review: Birdtown and Swanville - Oct '16
- Review: Late Night - Oct '16
- Review: Concord Floral - Oct '16
- Review: Blind Date - Sep '16
- Review: Pearle Harbour - Sep '16
- Review: West Side Story - Aug '16
- Review: Chippendales - Aug '16
- Review: Mr Shi and His Lover - Aug '16
- Review: Tomorrow's Child, NO FUN - Aug '16
- Review: Thank You For Being A Friend - Aug '16
- Review: Luzia - Jul '16
- Review: Peter and the Starcatcher - Jul '16
- Review: Shakespeare in High Park II - Jul '16
- Review: Shakespeare in High Park I - Jul '16
- Review: Bright Lights - Jul '16
- Review: Joseph and the Amazing Technicolor Dreamcoat - Jun '16
- Review: Forever Plaid - May '16
- Review: A Gentleman's Guide to Love and Murder - May '16
- Review: The Closet - May '16
- Review: Mousetrap - May '16
- Review: Botticelli in the Fire & Sunday in Sodom - May '16
- Review: Anne of Green Gables - Apr '16
- Review: Scarberia - Apr '16
- Review: If-Then - Apr '16
- Review: The Wizard of Oz - Apr '16
- Review: The Terrible Parents - Apr '16
- Review: The Judas Kiss - Mar '16
- Review: The Crackwalker - Mar '16
- Review: No Strings (Attached) - Mar '16
- Review: Gertrude and Alice - Mar '16
- Review: Line In Sand - Mar '16
- Review: Boeing Boeing - Feb '16
- Review: Salt-Water Moon - Feb '16
- Review: Contempt - Feb '16
- Review: Anything Goes - Feb '16
- Review: Mustard - Feb '16
- Review: Into The Woods - Jan '16
- Review: Heart Of Steal - Jan '16
- Review: Toruk - Jan '16
- Review: The Gay Heritage Project - Jan '16
- Review: Elizabeth - Darcy - Dec '15
- Review: Peter Pan in Wonderland - Dec '15
- Review: Cinderella - Dec '15
- Review: Mombay Black - Nov '15
- Review: Paradise Lost - Nov '15
- Review: Wormwood - Nov '15
- Review: Banana Boys - Nov '15
- Review: Legally Blonde - Oct '15
- Review: The Baby - Oct '15
- Review: An Enemy of the People - Oct '15
- Review: They Say He Fell - Oct '15
- Review: Buddy Holly - Oct '15
- Review: Seance - Sep '15
- Review: Like A Generation - Sep '15
- Review: 20th November - Sep '15
- Review: Empire - Sep '15
- Review: Big Plans - Sep '15
- Review: The Marquise of O - Aug '15
- Review: An Evening in July - Aug '15
- Review: Love + Hate - Aug '15
- Review: MacArthur Park Suite - Aug '15
- Review: Obeah - Aug '15
- Review: Mary Poppins - Jul '15
- Review: Julius Caesar... - Jul '15
- Review: Gimme Shelter - Jul '15
- Review: Twenty Thousand Leagues Under the Sea - Jul '15
- Review: Superhero - Jul '15
- Review: Kinki Boots - Jul '15
- Review: First Time Last Time - Jun '15
- Review: The Love Crimes of Frances Lark - Jun '15
- Review: Ballad of the Burning Star - May '15
- Review: Mr Burns - May '15
- Review: Morro and Jasp - May '15
- Review: American Idiot - May '15
- Review: Liver - May '15
- Review: Sweeney Todd - May '15
- Review: Tom at the Farm - Apr '15
- Review: Ubu and the Truth Commission - Apr '15
- Review: HairSpray - Apr '15
- Nature of the Beast purrs and bites - Mar '15
- Review: The Daisy Theatre - Mar '15
- Review: Dinner with Casey - Mar '15
- Review: Cake and Dirt - Mar '15
- Review: Faulty Towers - Mar '15
- Review: Brain Food - Mar '15
- Cake and Dirt - Mar '15
- This is for You, Anna - Mar '15
- Cannibal - Feb '15
- Spring Awakening is on the verge of blossoming - Feb '15
- Jesus Christ Superstar / Heart House - Jan '15
- Waiting Room - Jan '15
- Review: Jesus Christ Superstar - Dec '14
- Sharron and George’s Christmas Sing-A-Long - Dec '14
- Jesus Christ Superstar - Dec '14
- Review: A Christmas Carol - Dec '14
- Review: Cinderella - Nov '14
- Review: Metropolitan Operas - Nov '14
- Review: Sextet - Nov '14
- Review: Opus - Nov '14
- Review: Take Me Back To Jefferson - Nov '14
- Review: Evil Dead - Nov '14
- Review: The Art of Building a Bunker - Oct '14
- Review: Brotherhood - Oct '14
- Review: Femme Playlist - Oct '14
- The Hip Hopera - Oct '14
- Review: The Importance of Being Earnest- Sep '14
- Review: Freda And Jem- Sep '14
- Review: Hedwig- Sep '14
- Hair - Sep '14
- Summerworks - Aug '14
- Queers Bathroom Stories - Jun '14
- SpeakEasy - Jun '14
- Sharron Matthews and Gavin Crawford... - May '14
- Hackerlove & The Mystery of Edwin Drood - May '14
- Review: Headwig - May '14
- Headwig - Apr '14
- Review: Sound Of Music - Apr '14
- Review: Cock - Apr '14
- Review: 50 Shades - Apr '14
- Review: Me Talking to Myself...- Mar '14
- Review: Elegies - Mar '14
- Review: Marry Me a Little - Mar '14
- Review: Goodnight Desdemona... - Mar '14
- Review: A Beautiful View - Mar '14
- Review: Same Same but Different - Feb '14
- Review: Shrew - Feb '14
- Review: Genesis & Other - Feb '14
- Firebrand: When history burns - Feb '14
- Review: Heartbeat of Home - Feb '14
- Review: Cabaret - Feb '14
- Review: London Road - Jan '14
- Review: Once Upon This Island - Jan '14
- Review: The Way Back to Thursday - Jan '14
- Review: Manon, Sandra... - Jan '14
- Wedding Singer - Jan '14
- Manon, Sandra and the Virgin Mary - Jan '14
- Little Shop of Horrors - Dec '13
- Fear of commitment, but... - Dec '13
- A big splash of holiday cheer - Nov '13
- Needles And Opium - Nov '13
- Gay Heritage Project - Nov '13
- There Is No Lock... - Nov '13
- Sensual thrills in the dark - Nov '13
- No safe word - Nov '13
- Demoniacally delightful song and dance and gore - Nov '13
- Vampires, Judaism and wicked fun with grief - Oct '13
- We all love Lucy - Oct '13
- Freak Flags Conquer - Oct '13
- A Visitation from Aphrodite - Oct '13
- A Comic Tail of Staggering Genius - Sep '13
- We're All Pigs - Sep '13
- Abnormally intimate - Sep '13
- Men Behind Bars - Sep '13
- Lighting up the dark - Aug '13
- Double duty, a foursome and puppets - Aug '13
- Upton Abbey - Aug '13
- Sunny with 100 chance of puppets - Jul '13
- Review: Macbeth at Shakespeare in High Park - Jul '13
- Review: Class Dismissed - Jul '13
- Review: Avenue Q - Jul '13
- Review: Cats - Jun '13
- Review: Happiness returns - May '13
- Review: The Bone House - May '13
- Review: Of a Monstrous Child - May '13
- Stopheart - May '13
- Of a Monstrous Child - Apr '13
- Race - Mar '13
- Dancing With Rage - Mar '13
- Romeo and Juliet - Feb '13
- 35th RHUBARB & Japanese high-tech theatre - Jan '13
- Wizard Of Oz - Dec '12
- Tchaikovsky Spectacular - Nov '12
- La Cage Aux Folles - Oct '12
- Pilitical Mother - Sep '12
- Midsummer Night's Dream - Aug '12
- Fringe Festival - Jul '12
- Festival For Community - Jun '12
- Cavalia Odysseo - May '12
- Amy & Freddy - May '12
- The Game of Love and Chance - Apr '12
- My Granny The GoldFish - Mar '12
- Zeo Hour - Mar '12
- 33rd Rhubarb Festival - Feb '12
- Cabaret - Jan '12
- American Idiot - Jan '12
- The Nutcracker - Dec '11
- Mary Poppins - Nov '11
- Romeo And Juliet - Nov '11
- The Normal Heart - Oct '11
- Another Africa - Sep '11
- Singing Strong & The Maids - Aug '11
- The Glass Menagerie - Jul '11
- Operation Impervious - Jul '11
- Toronto Jazz Festival - Jun '11
- TRIGGER Festival - Jun '11
- Jesus Christ Superstar - Jun '11
- TIGTROPHE - May '11
- AGOKWE - Apr '11
- The Best Man - Mar '11
- SPIN - Mar '11
- Billy Elliot - Jan '11