HOT EVENTS MGT MAGAZINE VISITING ARCHIVE MGT PARTNERS MGT TEAM
My Gay Toronto - MGT Stage

The (Post) Mistress: a love letter to life delivered by a larger than life diva


by Drew Rowsome
- Photos by Cylla von Tiedemann

The post office in the small town of Lovely, Ontario is the workplace of a zany if sexually frustrated, post mistress. She loves to gossip about her neighbours and frequently breaks out into song and dance. As inhabited by the remarkable Patricia Cano, she is someone you want to meet even though sealing your mail will not prevent her from learning, and probably divulging, your secrets.

The (Post) Mistress is fluently trilingual and the French title, Zesty Goppher s'est fair écraser par un frigo (Zesty Gopher got squashed by a fridge), gives more of the flavour of the piece even though it also gives away one of the best jokes. Though, the English title's pun is crucial to one of the themes, so it is a toss-up . . . The (Post) Mistress is not only trilingual linguistically - utilizing English, French and Cree but with sur-titles to keep any monolinguists up to speed - but also in execution: there is ample comedy, tragedy and drama presented as monologues, songs and dance.

Cano is extraordinary. Before the first number has ended, the audience is firmly in her grasp as she confides, cajoles and continually astounds. Supremely confident and utterly vulnerable, she shares her inner emotional life by describing the lives that revolve around her. The opening of the second act had the audience bursting into applause as it built to an orgasmic climax: Cano is that spectacular. Though it is an overused and dated  - though The (Post) Mistress is set in the late '80s which is probably the last time any of us actually used Canada Post - word, Cano is fierce.

It helps that she is working with remarkable material. Tomson Highway's book is full of insight, grounded in geography and small town lineages, and manages to make the fantastical utterly believable. The twist towards the end is the only mis-step, though it is a necessary one and The (Post) Mistress recovers with a finale that is a powerful mixture of catharsis, life-affirmation and heartbreak. It is also quintessentially Canadian in that honest, gentle satirical vein that beats from Steven Leacock through to Schitt's Creek.

Highway and saxophonist Marcus Ali provide the music but wind up being foils to Cano's towering presence. Highway flat out lied to me about his musical prowess, he and Ali provide solid support for Cano to soar. And their few interactions are self-deprecating and comical. Highway sits at the piano in a very zen-like fashion, taking in the action unfolding as if it is the most extraordinary and odd thing he has ever seen. And as if he is seeing it for the first time which adds a layer of charm to underline Cano's diva with a heart.

There is a remarkable gay reference that caught me by surprise, made me laugh out loud, and then left a lump in my throat. That lump became the verge of tears when the entire piece was reframed by the aforementioned twist. That the reference is slid in so subtly and yet induced so much hilarity followed by real emotion, is reflective of the spirit of The (Post) Mistress. Highway has created a love letter to life and love, and Cano incarnates that missive with gusto and aplomb. It would be wise to take delivery of that letter while one has the chance, The (Post) Mistress also contains a warning that magic should be embraced and held onto when it so rarely comes around.

The (Post) Mistress runs until Sun, Nov 6 at the Berkeley St Theatre, 26 Berkeley St. theatrefrancais.com


27

RELATED ARTICLES / ARCHIVE:
- Review: The Curious Incident of the Dog in the Night-Time: metaphor made into theatrical magic - Oct - '17
- Review: Flashing Lights: fable and art - Oct - '17
- Review: Undercover - Sep - '17
- Review: North by Northwest: a giddy delirious thriller - Sep - '17
- Review: Turtleneck: sex, violence, porn and red hot hilarity - Sep - '17
- Review: Hedwig and the Angry Inch: escaping the dungeon of gender, Hart House and rock n roll - Sep - '17
- Review: The Seat Next to the King: gay interracial sex is more powerful than fear - Sep - '17
- Review: Volta: the magic of the circus thrives - Sep - '17
- Review: Pippi - Aug - '17
- Review: Permanence - Jul - '17
- Review: King Lear - Jul - '17
- Review: Cavalia - Jul - '17
- Review: Beautiful - Jul - '17
- Review: 8 Morro & Jasp In Stupefaction - Jun - '17
- Review: The Lavender Railroad - Jun - '17
- Review: Showstopper - Jun - '17
- Review: Youth/Elder Project- Jun - '17
- Review: Situational Anarchy- May - '17
- Review: It's All Tru!- May - '17
- Review: The Return (il ritorno): Circa ...- May - '17
- Review: Midsummer (a play with songs)...- May - '17
- Review: Prince Hamlet - Apr '17
- Review: 887: memory becomes extraordinary - Apr '17
- Review: Little Pretty and The Exceptionals - Apr '17
- Review: Jack Charles v The Crown - Apr '17
- Review: A Kiss with a vicious bite - Mar '17
- Review: Souzatzka - Mar '17
- Review: Mrs Henderson Presents - Mar '17
- Review: Blood Weddings - Mar '17
- Review: Book Of Mormon - Mar '17
- Review: Cirkopolis - Mar '17
- Review: The Bodyguard - Feb '17
- Review: Five Faces for Evelyn Frost - Feb '17
- Review: My Night with Reg - Feb '17
- Review: Blue Remembered Hills - Feb '17
- The 38th Rhubarb Festival - Feb '17
- Review: James and the Giant Peach - Feb '17
- Review: Carrie - Jan '17
- Review: Audience - Jan '17
- Review: Sisters Act - Dec '16
- Review: Who Killed Spalding Gray? - Dec '16
- Review: Swan - Nov '16
- Review: Cuisine & Confessions - Nov '16
- Review: The (Post) Mistress - Oct '16
- Review: The Circle: the kids are not alright - Oct '16
- Review: Birdtown and Swanville - Oct '16
- Review: Late Night - Oct '16
- Review: Concord Floral - Oct '16
- Review: Blind Date - Sep '16
- Review: Pearle Harbour - Sep '16
- Review: West Side Story - Aug '16
- Review: Chippendales - Aug '16
- Review: Mr Shi and His Lover - Aug '16
- Review: Tomorrow's Child, NO FUN - Aug '16
- Review: Thank You For Being A Friend - Aug '16
- Review: Luzia - Jul '16
- Review: Peter and the Starcatcher - Jul '16
- Review: Shakespeare in High Park II - Jul '16
- Review: Shakespeare in High Park I - Jul '16
- Review: Bright Lights - Jul '16
- Review: Joseph and the Amazing Technicolor Dreamcoat - Jun '16
- Review: Forever Plaid - May '16
- Review: A Gentleman's Guide to Love and Murder - May '16
- Review: The Closet - May '16
- Review: Mousetrap - May '16
- Review: Botticelli in the Fire & Sunday in Sodom - May '16
- Review: Anne of Green Gables - Apr '16
- Review: Scarberia - Apr '16
- Review: If-Then - Apr '16
- Review: The Wizard of Oz - Apr '16
- Review: The Terrible Parents - Apr '16
- Review: The Judas Kiss - Mar '16
- Review: The Crackwalker - Mar '16
- Review: No Strings (Attached) - Mar '16
- Review: Gertrude and Alice - Mar '16
- Review: Line In Sand - Mar '16
- Review: Boeing Boeing - Feb '16
- Review: Salt-Water Moon - Feb '16
- Review: Contempt - Feb '16
- Review: Anything Goes - Feb '16
- Review: Mustard - Feb '16
- Review: Into The Woods - Jan '16
- Review: Heart Of Steal - Jan '16
- Review: Toruk - Jan '16
- Review: The Gay Heritage Project - Jan '16
- Review: Elizabeth - Darcy - Dec '15
- Review: Peter Pan in Wonderland - Dec '15
- Review: Cinderella - Dec '15
- Review: Mombay Black - Nov '15
- Review: Paradise Lost - Nov '15
- Review: Wormwood - Nov '15
- Review: Banana Boys - Nov '15
- Review: Legally Blonde - Oct '15
- Review: The Baby - Oct '15
- Review: An Enemy of the People - Oct '15
- Review: They Say He Fell - Oct '15
- Review: Buddy Holly - Oct '15
- Review: Seance - Sep '15
- Review: Like A Generation - Sep '15
- Review: 20th November - Sep '15
- Review: Empire - Sep '15
- Review: Big Plans - Sep '15
- Review: The Marquise of O - Aug '15
- Review: An Evening in July - Aug '15
- Review: Love + Hate - Aug '15
- Review: MacArthur Park Suite - Aug '15
- Review: Obeah - Aug '15
- Review: Mary Poppins - Jul '15
- Review: Julius Caesar... - Jul '15
- Review: Gimme Shelter - Jul '15
- Review: Twenty Thousand Leagues Under the Sea - Jul '15
- Review: Superhero - Jul '15
- Review: Kinki Boots - Jul '15
- Review: First Time Last Time - Jun '15
- Review: The Love Crimes of Frances Lark - Jun '15
- Review: Ballad of the Burning Star - May '15
- Review: Mr Burns - May '15
- Review: Morro and Jasp - May '15
- Review: American Idiot - May '15
- Review: Liver - May '15
- Review: Sweeney Todd - May '15
- Review: Tom at the Farm - Apr '15
- Review: Ubu and the Truth Commission - Apr '15
- Review: HairSpray - Apr '15
- Nature of the Beast purrs and bites - Mar '15
- Review: The Daisy Theatre - Mar '15
- Review: Dinner with Casey - Mar '15
- Review: Cake and Dirt - Mar '15
- Review: Faulty Towers - Mar '15
- Review: Brain Food - Mar '15
- Cake and Dirt - Mar '15
- This is for You, Anna - Mar '15
- Cannibal - Feb '15
- Spring Awakening is on the verge of blossoming - Feb '15
- Jesus Christ Superstar / Heart House - Jan '15
- Waiting Room - Jan '15
- Review: Jesus Christ Superstar - Dec '14
- Sharron and George’s Christmas Sing-A-Long - Dec '14
- Jesus Christ Superstar - Dec '14
- Review: A Christmas Carol - Dec '14
- Review: Cinderella - Nov '14
- Review: Metropolitan Operas - Nov '14
- Review: Sextet - Nov '14
- Review: Opus - Nov '14
- Review: Take Me Back To Jefferson - Nov '14
- Review: Evil Dead - Nov '14
- Review: The Art of Building a Bunker - Oct '14
- Review: Brotherhood - Oct '14
- Review: Femme Playlist - Oct '14
- The Hip Hopera - Oct '14
- Review: The Importance of Being Earnest- Sep '14
- Review: Freda And Jem- Sep '14
- Review: Hedwig- Sep '14
- Hair - Sep '14
- Summerworks - Aug '14
- Queers Bathroom Stories - Jun '14
- SpeakEasy - Jun '14
- Sharron Matthews and Gavin Crawford... - May '14
- Hackerlove & The Mystery of Edwin Drood - May '14
- Review: Headwig - May '14
- Headwig - Apr '14
- Review: Sound Of Music - Apr '14
- Review: Cock - Apr '14
- Review: 50 Shades - Apr '14
- Review: Me Talking to Myself...- Mar '14
- Review: Elegies - Mar '14
- Review: Marry Me a Little - Mar '14
- Review: Goodnight Desdemona... - Mar '14
- Review: A Beautiful View - Mar '14
- Review: Same Same but Different - Feb '14
- Review: Shrew - Feb '14
- Review: Genesis & Other - Feb '14
- Firebrand: When history burns - Feb '14
- Review: Heartbeat of Home - Feb '14
- Review: Cabaret - Feb '14
- Review: London Road - Jan '14
- Review: Once Upon This Island - Jan '14
- Review: The Way Back to Thursday - Jan '14
- Review: Manon, Sandra... - Jan '14
- Wedding Singer - Jan '14
- Manon, Sandra and the Virgin Mary - Jan '14
- Little Shop of Horrors - Dec '13
- Fear of commitment, but... - Dec '13
- A big splash of holiday cheer - Nov '13
- Needles And Opium - Nov '13
- Gay Heritage Project - Nov '13
- There Is No Lock... - Nov '13
- Sensual thrills in the dark - Nov '13
- No safe word - Nov '13
- Demoniacally delightful song and dance and gore - Nov '13
- Vampires, Judaism and wicked fun with grief - Oct '13
- We all love Lucy - Oct '13
- Freak Flags Conquer - Oct '13
- A Visitation from Aphrodite - Oct '13
- A Comic Tail of Staggering Genius - Sep '13
- We're All Pigs - Sep '13
- Abnormally intimate - Sep '13
- Men Behind Bars - Sep '13
- Lighting up the dark - Aug '13
- Double duty, a foursome and puppets - Aug '13
- Upton Abbey - Aug '13
- Sunny with 100 chance of puppets - Jul '13
- Review: Macbeth at Shakespeare in High Park - Jul '13
- Review: Class Dismissed - Jul '13
- Review: Avenue Q - Jul '13
- Review: Cats - Jun '13
- Review: Happiness returns - May '13
- Review: The Bone House - May '13
- Review: Of a Monstrous Child - May '13
- Stopheart - May '13
- Of a Monstrous Child - Apr '13
- Race - Mar '13
- Dancing With Rage - Mar '13
- Romeo and Juliet - Feb '13
- 35th RHUBARB & Japanese high-tech theatre - Jan '13
- Wizard Of Oz - Dec '12
- Tchaikovsky Spectacular - Nov '12
- La Cage Aux Folles - Oct '12
- Pilitical Mother - Sep '12
- Midsummer Night's Dream - Aug '12
- Fringe Festival - Jul '12
- Festival For Community - Jun '12
- Cavalia Odysseo - May '12
- Amy & Freddy - May '12
- The Game of Love and Chance - Apr '12
- My Granny The GoldFish - Mar '12
- Zeo Hour - Mar '12
- 33rd Rhubarb Festival - Feb '12
- Cabaret - Jan '12
- American Idiot - Jan '12
- The Nutcracker - Dec '11
- Mary Poppins - Nov '11
- Romeo And Juliet - Nov '11
- The Normal Heart - Oct '11
- Another Africa - Sep '11
- Singing Strong & The Maids - Aug '11
- The Glass Menagerie - Jul '11
- Operation Impervious - Jul '11
- Toronto Jazz Festival - Jun '11
- TRIGGER Festival - Jun '11
- Jesus Christ Superstar - Jun '11
- TIGTROPHE - May '11
- AGOKWE - Apr '11
- The Best Man - Mar '11
- SPIN - Mar '11
- Billy Elliot - Jan '11